
A trip to
I’ve been subjecting myself to a mentor, Arthur Morris, a renowned bird photographer. If you haven’t seen his work you need to visit his site at www.birdsasart.com . The upshot of this is that I’ve been learning to be more patient with my work and to take more time planning the shot. I mention this because it has completely changed what and how many pictures I take. Normally in the first day of shooting I fill up three 4GB memory sticks with images. This time I was lucky to get into the third stick for the whole trip. I have to admit that I wondered if I was going to come back with anything at all. What I found is that, although I shot less, I got better images and more that were keepers. This is a valuable lesson and one I’m glad to pass along. Some key ideas are:
1. Look for the sun and shoot accordingly. Always try to put the sun at your back and your shadow directly in front of you.
2. Pay attention to your background. Try to set up so that your background will not be busy and try to avoid horizon lines or trees that cut through your subject.
3. Finally, be patient. Wait for the best shot. You don’t need five or twenty shots of the head at the wrong angle or the animal looking away from you.
It is easy to get sucked into the heat of the moment as I like to call it. I know I have little time to work with and I may not see a shot like what I have ever again so I instinctively want to start clicking the shutter like a mad man. As I found on this trip, the best thing to do is fight the urge and slow down. I also learned to pass a lot of photo opportunities that just wouldn’t work out due to sun position or no sun at all. On those occasions I did the only thing left to me and that was just enjoy the moment.
Before moving on to the pictures I want to take a moment to mention our photo site. I have been working hard on it for the last few weeks and there are several improvements and added features.
For those who may want to stay more up to date on my latest work or travels you
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Back to the trip. Our main focus this trip was for Grizzly bears so we’ll start with the bears and cycle through.

Grizzly sow with cubs
–
Canon EOS-1D Mark II - EF 70-200 w/1.4
extender at 280 MM
Color Space - Adobe RGB - 16 bit
Manual Metering
Digital UV Filter
Exposure Compensation 0
ISO 200 - 1/100 Sec @ F8.0
This grizzly boar spent over an hour sunning and grazing. He provided us with no end of comic relief. This and the next image were taken with a very crisp and flat lens allowing them to be enlarged considerably over their original size. I mention this because often people see images like this and think they can get close to a grizzly bear with a small quick shot camera. Remember, these are wild animals and very dangerous even as cute as this guy makes them look.

Grizzly boar –
Canon EOS-1D Mark II - EF 70-200 w/1.4
extender at 280 MM
Color Space - Adobe RGB - 16 bit
Manual Metering
Digital UV Filter
Exposure Compensation 0
ISO 200 - 1/500 Sec @ F7.1
The same boar grazing; notice the light is just a bit off, this is a situation where I got as wide to the left as I could. Ideally we would like to see the light straight on in the face of the bear for this image.

Grizzly boar –
Canon EOS-1D Mark II - EF 70-200 w/1.4
extender at 280 MM
Color Space - Adobe RGB - 16 bit
Manual Metering
Digital UV Filter
Exposure Compensation 0
ISO 200 - 1/500 Sec @ F6.3
We were taking a quick jaunt to the
west side to see if anything was happening when we noticed this pelican along
the

American White
Pelican –
Canon EOS-1D Mark II - EF 70-200 w/1.4
extender at 280 MM
Color Space - Adobe RGB - 16 bit
Manual Metering
Digital UV Filter
Exposure Compensation 0
ISO 200 - 1/640 Sec @ F7.1
Still on the west side we saw an obstinacy of Bison with these calves. They stayed still long enough for a panorama.

Bison Obstinacy –
Canon EOS-1D Mark II - EF 70-200 w/1.4
extender at 280 MM
Color Space - Adobe RGB - 16 bit
Manual Metering
Digital UV Filter
Exposure Compensation 0
ISO 200 - 1/400 Sec @ F7.1
We noticed this sunrise over

Canon EOS-1D Mark II - EF 12-24 at 24
MM
Color Space - Adobe RGB - 16 bit
Manual Metering
Digital UV Filter
Exposure Compensation 0
ISO 320 - 1/125 Sec @ F11
Saying hello to the Tetons before
heading up

Canon EOS-1D Mark II - EF 12-24 at 24
MM
Color Space - Adobe RGB - 16 bit
Manual Metering
Digital UV Filter
Exposure Compensation 0
ISO 200 - 1/6 Sec @ F11
This is the right time of year for the
Blue Grouse on

Blue Grouse –
Canon EOS-1D Mark II - EF 70-200 w/1.4
extender at 280 MM
Color Space - Adobe RGB - 16 bit
Manual Metering
Digital UV Filter
Exposure Compensation 0
ISO 200 - 1/250 Sec @ F9.0
This little guy loved this post for sunning on and after half an hour of waiting he finally quit playing coy long enough to snap this picture.

Yellow-Bellied Marmot
–
Canon EOS-1D Mark II - EF 70-200 w/1.4
extender at 280 MM
Color Space - Adobe RGB - 16 bit
Manual Metering
Digital UV Filter
Exposure Compensation 0
ISO 200 - 1/400 Sec @ F5.6
I always love the colors of the

Silex – Fountain Paint Pots
Canon EOS-1D Mark II - EF 50 at 50 MM
Color Space - Adobe RGB - 16 bit
Manual Metering
Digital UV Filter
Exposure Compensation 0
ISO 200 - 1/160 Sec @ F10.0
This year we decided to drive back the
long way through

Bear Lake – Bear
Canon EOS-1D Mark II - EF 12-24 at 24
MM
Color Space - Adobe RGB - 16 bit
Manual Metering
Digital UV Filter
Exposure Compensation 0
ISO 200 - 1/320 Sec @ F11.0
This abandoned home stead was right on the edge of the lake. I normally don’t do cabins but this one just screamed “picture.”

Abandoned Home Stead
–
Canon EOS-1D Mark II - EF 12-24 at 24
MM
Color Space - Adobe RGB - 16 bit
Manual Metering
Digital UV Filter
Exposure Compensation 0
ISO 200 - 1/400 Sec @ F11.0

Country Road –
Canon
EOS-1D Mark II - EF 12-24 at 24 MM
Color Space - Adobe RGB - 16 bit
Manual Metering
Digital UV Filter
Exposure Compensation 0
ISO 200 - 1/100 Sec @ F5.6
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